BhavaGeethe - Poetry Marries Music

In 1980, medium wave radio sets across Karnataka began to tune into something new. Each day, for half an hour, people all over the state began to listen to a programme on Vividh Bharati Seva that played non-filmy Kannada songs or bhavageete. In the decade that followed, bhavageete, literally meaning “songs with emotion”, went through an incredible revival. Musty recording studios in Bangalore, Mysore and Dharwad started putting out compilations of Kannada bhavageete on tape, and these cassettes competed with mainstream Kannada film audio releases. Bhavageete combines expressionist poetry and light or semi-classical music, and relies heavily on both words and musical score. A resurgence of enthusiasm for the genre in Karnataka in the ’80s led to a renewed interest in modern Kannada poetry as well. Kuvempu, DR Bendre, Gopalkrishna Adiga and lesser known poets like KS Nissar Ahmed were reintroduced to an entire generation by bhavageete performers like Mysore Ananthaswamy, C Aswath, Shimoga Subbanna and Ratnamala Prakash. Thirty years since that half-hour programme debuted on AIR, bhavageete continues to be a force in Karnataka, with many performers, regular concerts and the odd album release.

As a classical form of "Folk music" Bhavageete has also gained applaud in the rich chronicle of Karnataka Music, which is again exceptionally atmospheric. Both the elements of the classical music and folk music are ideally interwoven in the genre of Bhavegeete. Rustic emotion, native wit and spontaneity are the base of the "Bhavegeete", which pounded a million souls. Bhavegeete, till today stands as that bridge to connect the high and low with its musical and literary expression.

Bhavegeete is an emblematic form of "emotion poetry" where expressing the deep desire of meeting the ultimate, Experiencing the "Omnipresence of the Omnipotent" is articulated amidst light music and perfect verbiage. Love, love for nature, Indian philosophy above all the philosophy of life are all united with the strings of "Bhavageete" which is even lot more than being just a particular form of " Expressionist poetry" This genre of music became popular  as a form of expressionist lyrics especially in Karnataka. Whilst the verve of the Kannada  lyrics enriched the Karnataka bhavageete.

Bhavageethe also known as Sugama Sangeeth, is the semi-classical form of Music, influenced by both the systems of Music Folk as well as classical . Metrical Poetry written in kannada is set to tune by composers.  A group of musicians composed of one or more singers with percussion support and one or two lead instruments (Mandolin, sitar, flute etc.) supported by guitar and bass guitar performs these songs. Of late,  electronic keyboards and synthesizers have crept in as the lead instruments making traditional classical instruments less prominent. “B hrungada Benneri Bantu Bhavageeta”, exclaimed the mystic bard Bendre, tracing the malodorous flight of the Kannada lyric. If the song came riding the bee's back,  then who but the poet can fathom the many fragrances it embodies! A form that is unique to Kannada and marathi languages –the bhavageethe or sugama sangeeta – came with the intention taking to every home verses written
by major poets of the land.  Thus lyric and melody got intertwined into a lasting relationship, like bee and honey. If every Kannadiga worth his salt hums “Hachchevu Kannadada Deepa” or “Ede Tumbi Haadidenu” it's not only a celebration of the immortal lyric, but also of timeless  tunes that dropped it on every lip Coming together.
Scan the pages of BhavaGeethe history and you will see that every great singer who came by gave it a rich, distinct personality.The organic texture of the Kannada lyric at once had a strain of khyal music, carnatic classical, the ghazal, the folk song, apart from the singer's own persona. Now, as you lament the fading away of such a glorious tradition that once throbbed with vitality, M.D. Pallavi renews the faint hope.
MSIL Geethagalu
In 1980, long before it became fashionable for corporate houses to take an interest in culture, Mysore Sales International Limited (MSIL) created and presented a high quality programme of Kannada songs called MSIL Geethegalu.  Thursdays became special for Kannada music lovers. That half-hour slot on Vividh Bharati sparked off great enthusiasm  for the Kannada bhavageete, taking even its sponsors by surprise. Hundreds of Kannada poems sprang to musical life on  audio cassettes, and a genre found its voice. Sugama
sangeeta, the singing of non-film Kannada songs, assumed such momentum  that Bangalore studios were busy for a whole decade, recording one bhavageete album or the other. That movement unveiled musicians like C Ashwath and Rathnamala Prakash, who are celebrities today. And composers like Mysore Ananthaswamy became household names. The mystic poet Shishunala Sharif's songs Taravalla tagi ninna tamboori and Alabeda tangi alabeda were first sung on this programme. These poems had been in circulation in north Karnataka, but they suddenly became popular all over the State after Ashwath made new tunes for them. Sharif's compositions were later recorded in eight cassettes, and set a record in the sale of  Kannada cassettes. Ashwath made the music for 72 Sharif songs. Kannada literary giants of this century -- B M Sri, Kuvempu, D V Gundappa, G P Rajarathnam, K S Narasimhaswamy and others -- became more popular when they were sung by sugama sangeeta artistes,  although one school, led by poet Ramachandra Sharma, maintains that sugama sangeeta can ruin the poetic instinct, which doesn't need  the "crutches" of music.

After a gap of 20 years, MSIL is renewed its association with Kannada music. Its just-instituted Nityotsava Award presented in November to the best male and female singers of the year. "It's our way of discovering sugama sangeeta singers of the future," said I M Vittala Murthy, the poetry-loving IAS officer who heads MSIL.The awards are named after Nityotsava, the first Kannada bhavageete album, and one of the most remembered tapes to this day. It featured the poems of K S Nissar Ahmed, with music by Mysore Ananthaswamy. Later tapes like Bhavasangama and Mysore Mallige also achieved cult status.

Starting this year,MSIL will hold an annual competition to spot young talent from schools and colleges all over Karnataka. Four young people (a boy and a girl each from the school and college categories) will be given Nityotsava Awards and named 'MSIL singers of the year'.



Sources
Music Magazine
IndianetZone
TimeoutBengaluru

Vijnaneshwara - Pioneer Ancient Hindu Jurist


Vijnaneshwara was a prominent jurist of twelfth century India. His treatise, the Mitakshara, dealt with inheritance, and is one of the most influential legal treatises in Hindu law.  Vijnaneshwara was born in the village of Martur, near Gulbarga in Karnataka. He lived in the court of Chalukya Vikramaditya VI (1076-1126), in Kalyan. The Hindu Law of the constitution is based on Mitakshara. Let us see the speech by Justice by Markandey Katju and then continue our discussion.

Speech by  Justice Markandey Katju
When I was informed of the topic: "The importance of Mitakshara in the 21st century" my initial reaction was that Mitakshara has hardly got any importance today except with regard to coparcenary property rights of Hindus. As you all know, most of the old Hindu laws were replaced by parliamentary statutes in 1955 and 1956 viz. the Hindu Marriage Act, 1955, the Hindu Succession Act, 1956, the Hindu Adoptions and Maintenance Act, 1956, the Hindu Minority and Guardianship Act, 1956, etc. These Acts have substituted the Mitakshara and the Dayabhaga law except with regard to succession to ancestral property, which continues to be covered by the Mitakshara vide Section 6 of the Hindu Succession Act, 1956.

This is a practical age. Lawyers are interested in knowing the law which will help them in their cases, and they are hardly interested in purely academic matters which have little practical application. Hence, hardly anyone reads the Mitakshara or Dayabhaga today, as they have largely been superseded by the statutes made by Parliament.

However, I wish to speak on the topic from a somewhat different angle. 


As is well known, the Mitakshara prevailed all over India except in Bengal and Assam where the Dayabhaga prevailed. The Mitakshara is a commentary on only one Smriti called Yajnavalkya Smriti, whereas Dayabhaga is a digest of all the Smritis.

Although Hindu law is regarded as having emanated from the Vedas (Shruti) the truth is that there is scarcely any law in the Veda (Shruti) and the Hindu law that has really emanated from the Smritis. There were large number of Smritis of which the surviving ones are of Manu, Yajnavalkya, Vishnu, Narada, Apastamba, Gautam, Parasara, Vashist, Katyayana, etc.

As I have mentioned, the Mitakshara is a commentary only on the Yajnavalkya Smriti. The question therefore which arises is as to why Vijnaneshwara chose only the Yajnavalkya Smriti for his commentary. There was Manu Smriti which was held in even greater respect than Yajnavalkya Smriti, but Vijnaneshwara preferred to write his commentary on the Yajnavalkya Smriti rather than on Manu Smriti.
We can get the answer to this question if we compare Manu Smriti with Yajnavalkya Smriti. Manu Smriti is not a systematic treatise. It does not have a clear-cut division between religion and law, as in Yajnavalkya Smriti. If we read the Manu Smriti, we will find that there is one shloka on religion, the next shloka on law, third on morality, etc. Everything is jumbled up. On the other hand the Yajnavalkya Smriti is divided into three chapters. The first chapter is called Achara which deals with religion, the second chapter is called Vyavahara which deals with law, and the third chapter is called Prayaschit which deals with penance. Thus, there is a clear demarcation between law and religion in Yajnavalkya Smriti, which is not to be found in the Manu Smriti. This demarcation between law and religion itself is a great advance over the Manu Smriti. Thus, the Yajnavalkya Smriti marks a tremendous advance in law over the Manu Smriti. Law is now clearly separated from religion. This is analogous to the Roman law or to the positivist jurisprudence in the 19th century of Bentham and Austin.

Also, the Yajnavalkya Smriti is shorter and more liberal, particularly towards women than the Manu Smriti. It was perhaps for this reason that Vijnaneshwara preferred the Yajnavalkya Smriti to the Manu Smriti for writing his commentary.

As is well known, the Mitakshara was written by Vijnaneshwara during the reign of Vikramarka, a Chalukya ruler of the 11th century A.D. Although, the Mitakshara was written by a South Indian, its remarkable feature is that its authority spread all over India except Bengal and Assam (where too it has great respect) and it was accepted as the authoritative text on Hindu law even in North India.

Mitakshara was certainly not a law made by Parliament. In fact, in those days there was no Parliament and the law consisted of treatises of learned jurists. The Mitakshara was accepted as an authoritative text on Hindu law not due to promulgation by any sovereign authority such as the King or Parliament, but due to its tremendous scholarship, logical analysis and the sheer force of intellect of its author.
The importance of the Mitakshara therefore is that it teaches us to have respect for intellect and learning wherever it may come from. As the Rig Veda says,

"Let noble thoughts come to us from every side."
or as it is said:
 "A king is worshipped only in his own country, but a learned man is worshipped everywhere."

This is the lesson which the Mitakshara teaches us in the 21st century. If India has to rise as a nation we must not be sectarian or chauvinists but all must feel like Indians living like a united family and must respect each other, whether we come from North or South, East or West.

The second importance of Vijnaneshwara's Mitakshara in India in the 21st century is the great progress it made in traditional Hindu law by making it secular. In this connection it may be mentioned that in ancient India there was not only great development in Philosophy, Mathematics and Science, but there was also great advancement in the field of law.

Until the Mitakshara of Vijnaneshwara came into existence, Smritis and commentaries were largely religious and not secular. It was the Mitakshara which was the first to make the laws of property and inheritance secular.

The bifurcation of the Mitakshara and Dayabhaga was due to two different interpretations given to a single word "sapinda". Manu has written that when a man dies, his property goes to his nearest "sapinda". The question is therefore what is the meaning of the word "sapinda". That depends upon the meaning of the word "pinda". According to Dayabhaga, "pinda" means the rice balls which are offered in the Shraddha ceremony to one's deceased ancestors. On the other hand, according to the Mitakshara the word "pinda" does not mean the rice balls offered at the Shraddha ceremony at all but it means the particles of the body of the deceased.

The term "sapinda" as used in the Smritis and by the commentators before Vijnaneshwara meant only those connected with the funeral obligations. Vijnaneshwara's definition of "sapinda" as one connected by the particles of the same body was apparently unknown to any previous commentator. He cites no Smriti in support of his view, but only the Vedic texts on the theory of heredity which do not mention "pinda" or "sapinda" at all. As Nilakantha says in "Samskara Mayukha":

"Vijnaneshwara abandoned the theory of connection through the rice-ball offering and accepted the theory of transmission of constituent particles."

In this connection the Mitakshara may be contrasted to the Dayabhaga system. In the chapter which deals with the subject of succession, Dayabhaga appeals to the doctrine of religious efficacy at every step, testing the claims of rival heirs by their numbers and nature of their respective offerings. On the other hand, the Mitakshara never once alludes to such a test, as noted by the Privy Council in Balasubrahmanya Pandya Thalaivar v. M. Subbayya Tevar, IA at p. 102. The claims of rival heirs are determined primarily by the test of degrees of propinquity and not religious efficacy. Even persons who confer no religious benefits to the deceased are admitted as heirs for the reason of affinity. Vijnaneshwara states emphatically that "sapinda" relationship does not depend upon the relationship of the deceased through the offering of the "pindas" and his getting it or not, but it depends upon having the same particles of one's body. Vijnaneshwara's new definition was therefore revolutionary. It divested the word "sapinda" of its religious meaning, and was in keeping with the new orientation which he gave to the Vyavahara or civil law by treating property and inheritance as purely secular matters, like the Roman lawyers. He rested the rules of law on purely practical and rational considerations. Combating the view that the wealth of a regenerate man is designed for religious uses exclusively, Vijnaneshwara says:

"If that were so, other purposes of opulence and gratification, which are to be effected by means of wealth, must remain unaccomplished and if that be the case, there is an inconsistency in the following passages of Yajnavalkya, Gautama and Manu, 'Neglect not religious duty, wealth or pleasure in the proper season.' "

As stated above, Vijnaneshwara relies on no Smriti authority in support of his contention that the word "sapinda" has a secular and not religious connotation. Instead, Vijnaneshwara displayed his creative brilliance by relying for this purpose on Jaimini's Lipsa Sutras as he calls the 3rd Adhikarana of Chapter I Book IV of Jaimini's Sutras.
According to Vijnaneshwara, the origin of property is popular recognition, and hence the basis of inheritance and succession is relationship by blood. While Jimutavahana makes the text of Manu on the subject the foundation of his principle of inheritance (because Manu emphasises the spiritual aspect), Vijnaneshwara mainly relies on the text of Yajnavalkya, because the latter prefers the matter of factual aspect. Vijnaneshwara utilises the Mimansa Adhikarana as interpreted by Prabhakara who is reputed to be an heterodox propounder of the Mimansa Sutras, while the orthodox interpretation of the Adhikarana as given by Savaraswami and Kumarila Bhatta gives no support to Vijnaneshwara's views.

Thus, we see that Vijnaneshwara utilises the Mimansa principles, particularly, the Prabhakara school, for striking out a new, secular path in the field of law.

This new, revolutionary change in the law which Vijnaneshwara effected by his new definition of the word "sapinda" had remarkable practical effects. For instance, Jimutavahana who wrote the Dayabhaga, did not permit inheritance to a son at birth. This is because Dayabhaga followed the traditional rule that only the person who can perform Shraddha for his ancestor can inherit the property.

In the book called Parvana Shraddha the list of persons who can perform Shraddha is mentioned. At Serial No. 1 of the list is the son. At Serial No. 2 is the son's son, etc. The general rule is that if a person at a higher position in the list is available, then one cannot go down the list, and the list terminates there. For instance, if the son is alive, then the son's son (i.e. grandson of the deceased) has no right to perform the Shraddha, because the grandson is at Serial No. 2 in the list given in Parvana Shraddha, whereas the son is at Serial No. 1. Hence, the grandson of the deceased has no right to inherit the property when the son is alive, because the grandson has no right to perform Shraddha when the son is alive. It is for this reason that there is no inheritance at birth in Dayabhaga when the father is alive. This is in sharp contrast to the Mitakshara in which the son inherits a share in the ancestral property at birth.

Similarly, in Dayabhaga the unborn son in the mother's womb cannot inherit a share in the property, because an unborn son cannot perform Shraddha. On the other hand, in the Mitakshara an unborn son in the mother's womb gets a share in the ancestral property. Dayabhaga prefers the father to the mother, because he presents two oblations in which the deceased son participates, while the mother presents none. Vijnaneshwara takes exactly the opposite view on the ground that "her propinquity is greatest". The view of Vijnaneshwara is reflected in the Hindu Succession Act, 1956 because the mother of a deceased Hindu is a Class I heir, and is hence automatically entitled to a share in the property of her deceased son, whereas the father is only a Class II heir, and will only get the property if there is no Class I heir. Thus even today a mother's position is higher than the father so far as succession is concerned, and this is in accordance with Vijnaneshwara's view.
Similarly, the right of a daughter to succeed is rested by Jimutavahana upon the funeral oblations which may be hoped for from her son, and the exclusion of widowed, or barren, or sonless daughters, is the natural result. The Mitakshara follows Brihaspati in basing her claim upon simple consanguinity. As a son, so does the daughter of a man proceed from his several limbs. How then can any other person take her father's wealth? And he excludes neither the widowed nor the barren daughter, but prefers one to another, accordingly as she is unmarried or married, poor or rich, that is, according as she has the best natural claim to be provided for.
The right of a daughter's son when he succeeds on the death of the widow and daughter certainly rests far more upon consanguinity than on religious efficacy. The preference of the daughter's son to agnates, whose claims based upon pinda offerings are stronger, can only be explained by propinquity. No doubt, according to Manu, Vishnu and Yajnavalkya, a daughter's son should perform Shraddha for the maternal grandfather. But, from the way Vishnu expresses it, the rule appears to be recommendatory. According to the Mitakshara, the Shraddha of the maternal grandfather is not obligatory but is only optional, except when the mother's sapindikarana has taken place with the maternal grandfather.

The express view laid down in the Mitakshara on the Shraddha rites that sapinda-relationship with the deceased is wholly independent of his being benefited by the pindas or not, is decisive and is consistent only with the conclusion that propinquity must be judged without reference to the grades, number or quality of the funeral offerings.

The conclusion therefore is irresistible that the Mitakshara does not admit religious efficacy either as a basis of heirship or as a measure of propinquity. The rules governing the right to perform Shraddhas or the offering of pindas, though in part determined by propinquity, are also in part influenced by different considerations. Religious efficacy as deduced from these rules can therefore furnish no safe or satisfactory test as regards the order of succession.

The above discussion shows that Vijnaneshwara struck a totally new note in the development of Hindu law and made it secular. This has great importance for the 21st century when secularism is absolutely essential for the unity and progress of the nation.

India is a country with tremendous diversity, innumerable religions, castes, languages, ethnic groups, cultures, etc. Hence only secularism and respect for everybody can keep the country together and make it progress. That is also the mandate of the Constitution, vide Articles 25 to 30 of the Constitution.

Apart from the above, the Mitakshara of Vijnaneshwara liberalised the law with regard to women. He provided for maintenance not only of the chaste wife but also the unchaste wife and unchaste widow. Also, while earlier writers circumscribed women's property within the narrow limits prescribed by Manu, Vijnaneshwara included all property however acquired within the definition. In this connection his liberal views evoked protests from conservative scholars, one writer going so far as to say that a particular rule was evolved by Vijnaneshwara out of his brain (LodiksydfYir) and hence deserved no consideration. However, ultimately all scholars recognised and accepted his views. Due to his progressive views women became entitled to hold and inherit property.

Hence, even though the Mitakshara may not be in vogue today except in matters of Hindu coparcenary property, yet the path it has shown is the path which India should pursue for its progress and prosperity.
I will conclude by quoting the Mitakshara:

There neither was, nor is, nor will ever be a city like Kalyana, or a king like Vikrama or a pandit like Vijnaneshwara. May these three live for ever.


History of Vijnaneshwara

 He wrote a law treatise in the 11th century, which is still in circulation. Serious efforts are now on to resurrect the greatness of Vijnaneshwara, the author of Mitakshara, gathers Anand V Yamnur  


An emperor in the 11th century touched the feet of this man to salute him. The inscriptions on a stone plaque, dated 1124 AD, found at the Kalingeshwara Temple in Martur village, 18 kilometres from Gulbarga, reveal: “Ariraya Mukuta Tadhita Charanan-enalu Negabdi Vikramankana Ratnokara Nichita Mukuta Tadhita,” meaning “When Emperor Vikramaditya bent down to salute Vijnaneshwara, the Emperor's jewelled crown touched the feet of Vijnaneshwara”. Such was the respect Vijnaneshwara commanded during his time. The inscriptions state that Vijnaneshwara lived in the court of Emperor Vikramaditya (1076-1126 AD).


He wrote Mitakshara, a law treatise explaining the Yagnvalkya Smruthi, propounded by philosopher Yagnvalkya. Except for minor changes, the laws in India relating to Hindu Joint Family, distribution of property, property rights, stree dhana (women property), and succession are still governed by Mitakshara. Though written 10 centuries ago, the relevance of Mitakshara is greatly felt, especially in the courts all over the country.


Till 1932, little was known about when and where Vijnaneshwara lived, and where he wrote his Mitakshara. The credit of discovering the time and place of Vijnaneshwara goes to Prof P B Desai of Dharwad. In the journal Prachina Karnataka: Hosa Belaku (Historical Karnataka: New Light), dated February 1, 1932, he wrote about a stone inscription at Kalingeshwara Temple at Martur, which discloses that Vijnaneshwara was a Kannadiga, and was born at Masemadu village in the present Bidar district. It was only recently that the famous epigraphist Sitaram Jagirdar took out a paper impression of the Martur inscriptions, and published its contents. Dr Jagirdar points out that the stone inscriptions date back to 1124 AD. The inscriptions also disclose that Martur was the place of work of Vijnaneshwara, and in recognition of his merit and contribution, he was gifted lands and honoured by Emperor Vikramaditya the VI of the Chalukya Dynasty.


Vijnaneshwara’s original name was Kancha, and he was the son of Somaraj and Bhagyavanithe. His wife's name was Kethikabbe. Of his four sons, Beethiraja got the temples of Shiva and Mahadeva constructed at Martur, and for this, the land was donated to him on January 6, 1123. Through the inscriptions it is clear that Vijnaneshwara lived in Martur, where he also wrote his commentary Mitakshara. Until the inscriptions were deciphered, it was believed that Vijnaneshwara was born in the Kalyan region of Maharashtra. But, the Martur inscriptions prove that the legal luminary of the forgotten era was a Kannadiga born in the Kalyan region, which is now Basavakalyan in Bidar district.


In 1970 the present Bihar Governor M Rama Jois who served as the Chief Justice in Punjab began writing a book Legal and Constitutional History of India. At that time, he came across the earliest translations of Mitakshara by H T Cole Broke of the UK (1867), and by Prof J R Gharapure of Pune (1912). Greatly impressed by the work, Justice Jois erected a befitting memorial for this medieval India’s greatest jurist. The fact that Vijnaneshwara was a Kannadiga and hailed from the Gulbarga region was little known to the world. The need to create awareness about this great personality among the common people, and promote research on his works led to the establishment of Vijnaneshwara Souhardhaka Co-operative Society. The Society came into existence last year in Gulbarga with Justice Jois as its chief patron. The main aim of this Society is to construct a befitting memorial for Vijnaneshwara at Martur at a cost of Rs one crore, and start a full-fledged research centre to study the life and works of the man. The State Government has already allotted six acres of land for the purpose. A local farmer Gundappa Kambar has donated half-an-acre of his land as a tribute to this great personality of yesteryears.



Sage Yajnavalkya
Sage Yajnavalkya was son of Devarta. Mahamuni Vaishampayana was his guru. Maitreyi and Katyayani were his wives. Chandrakanta, Mahamegha and Vijaya were his sons. He learnt Taittiriya Smahita from his guru Vaishampayana. However, once his guru was angry on him and asked him to omit the entire knowledge he learnt from him. Then Sage Yajnavalkya decided to worship Sun god and acquired fresh Vedic knowledge from him directly. His discourses with his wife Maitreyi about absolute Self was called Brihadaranyaka Upanishad. Sage Yajnavalkya was also the author of Yajnavalkya Smriti, Yajnavalkya Shakha, Pratijna Sutra, Satapatha Brahmana, and Yoga-Yajnavalkya.


I thank Unknown Rajesh for bringing up to my notice


Source
Sulekha
EBC
Payer

Karnataka 's Persian Affair

Persia (Iran) and karnataka  had intensive relations since ancient times. Each influenced each other to a great extend in all fields , let us explore the unique relationship.

King Darius I and Parashurama
The unfavorable condition of Northwestern part of India(Pakistan, Afghanistan),  under Darius I is aptly described in Behistan Inscription. He describes how he captured the Magu king and killed. The Samkiccha Jataka describes the same story - 'Yo cha Raja Adhammattho Mago tapayitva Janpadam, Tapne pecca paccati'.
What is the relevance of this King Darius  of  Achaemenid Dynasty who ruled Iran(Persia) to Karnataka. Many people unable to bear harshrule migrated from these regions and settled in several colonies under parashuram leadership from Gujarat to Kerala. Thus was started the migration of Paisachi Prakrit speaking people into Karnataka radically altering the demographic and geo- political landscape. In fact satavahana inscriptions show many paisachi words. Many of them settled in Maharastra especially Aparanta(konkan) region and vidarba region. One Group went south through karnataka and one group through Andhra and another through  western coast to kerala and Tamilnadu and eventually Lanka.

Ashoka Parthavi edict
In The Nittur Edict(Bellary) Ashoka Calls Himself The Ruler Of Parthia, "Mahalake hi vijitam" ('Vast is my empire'), proclaims Ashoka, but how extensive really was his dominion in the West? In the Nittur Edict he explicitly calls himself the king of Pathavi - an unmistakable allusion to Parthia or Parthava of the Achaemenian records of Darius. Writers like Romila Thapar attempt to explain this away by suggesting that Pathavi corresponds to Prithvi, or the Earth, and that the statement only demonstrates royal vainglory. A world emperor like Ashoka who sent missionaries to kings of many other parts of the Earth surely was not so foolish as to call himself the ruler of the Earth. The Edict shows he is also ruler of parthia (Persia – Modern Iran). This explains the wide contact between Karnataka and Persia since earliest times.Significance of Nittur Inscription reveals persia(Iran) was under Ashoka Rule.

Pulikesin II exchanges envoys with Sassanaid Khusro II
Around 625-26 AD , Chalukya King Pulakesin II (AD 610-42) exchanged envoys with Sassanian King Khusrau II (AD 596- 626). The same has been depicted in Ajantha Cave I. This information is also mentioned by persian historian Tabari, who says in the 35th year of Khusrau perviz reign an Indian King Pharmeish or paramesa(parmeswara - title of pulakesin) sent to an ambassador carrying letters and presents to monarch and sons.The return embassy by Khusrau is depicted in Ajanta.

Vinayaditya gives protection to Persia
With the defeat of Harsha by pulikesin II and his successor Yasovarman by Vinayaditya the whole of India was under the chalukyas. Great ruler Vinayaditya realised the value of strong persia against the Arabs which was under Islamic Invasion. So he sent a battalion to protect the persia. The chalukya records show that the tribute was paid for protection by Kamera (Khamer or Combodia), Parasika (persia) and Simhala (Lanka). Visionary Vinayaditya sent a ambassdor to chinese Kao-Tsung as well. This is confirmed by Ma-Twan- Lin, who says Indian Emperor Tche-Leou-k'I-Pa-Lo(chi-lu-khi-pa-lo) or Chalukya Vallabha sent an ambassador (date 692AD). With the decline of persia, During Vikramaaditya II (733-745 AD) reign an Arab attempt to penetrate into the Deccan was thwarted by Avanijanashraya Pulakesi, the Chalukya general of Lata.

Rastrakuta , persia and Zorastrians
Persian travelers who visited Malkhed at the time of Rastrakuta's spoke of the monarchs of Rastrakutas Dynasty as 'the Emperors of Hindustan'- among the most powerful rulers of the period. The Rastrakuta's provided protection to Zorastrians fleeing persia in India. Records show large trade between persia and Rastrakuta Empire. The persian account Hudud al alam(982AD) mentions rastrakuta and chalukyas as the Bhallaraj(Srivallabha – Chalukyas and Rastrakutas) of kamkar (karnata). The persian account also claims that Rastrakuta and pratihara's were enemies of Pala. Kannauj was under poessision of Rastrakuta for a considerable time. And aptly it adds Rastrakutas as the Emperors of Hind.  
Karnata vamsavali kings near Persia
Masudi calls even Khandahar as the country of Rahbut(Rajputs are of karnataka origin) , which puts karnata rulers in the neibhourhood of Persia. Masud calls them Chach (seems to be Rajputs of Chalukya origin). Curiously Rajputs of that area (Sindh and Baluchistan and Punjab of pakistan) call themselves Bhatti Rajputs, Janjuas have always claim descendancy from Pandavas. Name Bhatti(Bhatt) and pandavas(Matrilineal society) can be only be a community that is from Coastal Karnataka around Mangalore. May be the community developed out of chalukyan expedition against Arabs and settled there. Janjuas rajputs gave rise to famous Janjuas shahi dynasty (though they did not call themselves shahis, they are named shahis because they immediately succeeded shahi dynasty and resisted Ghaznavids invasions.

Western Chalukya trade with Persia
Aihole inscription gives vivid account of flourishing trade between karnata and persia. Travelling both land and sea routes, these merchants traded mostly in precious stones, spices and perfumes, and other specialty items such as camphor. Business flourished in precious stones such as diamonds, lapis lazuli, onyx, topaz, carbuncles and emeralds. Commonly traded spices were cardamom, saffron, and cloves, while perfumes included the by-products of sandalwood, bdellium, musk, civet and rose. These items were sold either in bulk or hawked on streets by local merchants in towns. While eastern Chalukyas controlled the eastern seaboard, The Western Chalukyas controlled most of South India's west coast and by the 10th century they had established extensive trade ties with the Tang Empire of China, the empires of Southeast Asia and the Abbasid Caliphate in Bhagdad, and by the 12th century Chinese fleets were frequenting Indian ports. Exports included textiles, spices, medicinal plants, jewels, ivory, rhino horn, ebony and camphor to Dhofar, Aden and also Song dynasty in China. The final destinations for those trading with the west were Persia, Arabia and Egypt. The thriving trade center of Siraf, a port on the eastern coast of the Persian Gulf, served an international clientele of merchants including those from the Chalukya empire who were feasted by wealthy local merchants during business visits. An indicator of the Chalukyan merchants' importance in Siraf comes from records describing dining plates reserved for them. In addition to this, Siraf received aloe wood, perfumes, sandalwood and condiments. The most expensive import to karnataka were Arabian horse shipments, this trade being monopolised by Arabs and local merchants. The Western coast was the responsibility of Gujarat Chalukyas, Silharas and later Kadambas. All the three took great care to cultivate good relations with persia and Middle east.


Persian envoy Abdul Razak visited during Krishnadeva raya regime
Awe-struck by the splendor and prosperity prevailing in the Vijayanagar Empire, Abdur Razaak said,- “The pupil of the eye has never seen a place like it and the ear of intelligence has never been informed that there existed anything to equal it in the world”. Abdur Razaak was the Persian ambassador who had visited Vijayanagara in 1446.

Trade during VijayNagar regime
Persian Ambassador Abdul Razak graphic discription of Mangalore, Bhatkal, Honavar is significant.
Mangalore, Bhatkal and Honavar were international ports in Vijayanagar times trading with Arabia and Persia. During the reign of Vijaynagar dynasty’s ‘Pepper Queen’ Ambakka, an ascription given by the Portuguese whom she had defeated. Indian spices including black pepper, cloth, rice, medicines, jaggery, sugar etc. were in great demand in Middle East, Europe and Mediterranean countries. These were produced in abundance in all the coastal belt. More than a dozen chiefs ruled in this region whose area at times, did not exceed more than 100 – 200 villages. Prominent among them were Santras (Bairaras) of Karkal, Bangas of Bangadi (Nandavar), Sawants of Mulki, Choutas of Mudbidri & Ullal, Ajilas of Venur, and Tolahas of Sura. These chiefs fought among themselves and with local administrators of Vijayanagar, most of the time, to become independent or for reduction fee in tributes and subsidies. But the strong Central Government of Vijayanagar had kept them under control, with overall supervision of Nayakas of Keladi. Over time, Some Persian-Arab traders decided to settle Bhatkal and that sect got the name ‘Navayaths’, or newcomers. Food – has an intricate relationship with the Navayath people and their culture, the cuisine from Bhatkal is just that. Rich in cultural history with strands of cuisine from the Arab and persian world which eventually have blended with the local dishes of the land.

Bahmani Kingdom and Persia
The sultanate was founded on 3rd of August 1347 by governor Ala-ud-Din Hassan Bahman Shah, possibly of Tajik-Persian descent, who revolted against the Sultan of Delhi, Muhammad bin Tughluq. Nazir uddin Ismail Shah who had revolted against the Delhi sultanate stepped down on that day in favour of Zafar Khan who ascended the throne with the title of Alauddin Bahman Shah with first Gulabarga and then Bidar as capital. His revolt was successful, and he established an independent state on the Deccan. But soon the kingdom split into five sultanates. The Bahmani dynasty believed that they descended from Bahman, the legendary king of Iran. They were patrons of the Persian language, culture and literature. Some of the Bahmanid kings and princes took a personal interest in Persian, as well, and became well-versed in Persian language and literature. Hazrat Khwaja Syed Muhammad Gesu Draz, scholar of both kannada and persian, greatly encouraged the interaction between the two. Bahmani kings brought artisans from persia, Arabia and Turkey blending with local styles they built great many architectural wonders like Gol Gumbaz. The Bahamani army had soldiers from Turkey, Arabia and Persia.

Mahmud Gawan
Mahmud Gawan arrived in Bidarfrom Persia in 1453. A great scholar of Islamic lore, he founded the Madarassa (college) from his own funds on the line of Universities of Samarkhand and Khorasan. A selefless worker, he became a prime-minister of Bahamani king Mahmud III (1462- 82) whom he tutored in earlier days. But Gawan became a victim of the palace intrigue and was beheaded by the drunkern king. The later kings of the Bahamani dynasty were too weak to keep the kingdom in tact, and this led to the breakup. Bahmani kingdom survived until babur took over.

Adil Shah Origin
According to the historian Mir Rafi-uddin Ibrahim-i Shirazi, or Rafi', Yusuf's full name was Sultan Yusuf 'Adil Shah Sawa or Sawa-i, the son of Mahmud Beg of Sawa in Iran. Rafi's history of the 'Adil Shahi dynasty was written a the request of Ibrahim Adil Shah II, and was completed and presented to the patron in AH 1017. T.N. Devare mentioned that while Rafi's account of the Bahmani dynasty is filled with anachronisms, his account of the Adilshahi is "fairly accurate .

Rafi's account is less well known than that of the popular historian Firishta, the author of the Nawras- nama, also known as the Gulshan-i Ibrahim. Rafi's account of the life of Yusuf 'Adil Shah directly contradicts a fanciful legend related by Firishta on the origins of the Adil Shahi dynasty. According to him, Yusuf Adil Shah is said to have been the son of Murad II, Ottoman sultan and caliph of Islam, who was succeeded by one of his sons, Mehmed II. After his accession, the new sultan is said to have ordered the execution by strangling of all his brothers, including Yusuf. Yusuf's mother contrived to save him by replacing him with a slave boy; she then arranged to have Yusuf conveyed to Persia. Yusuf eventually came to India, where he took service under the Bahmani ruler of the Deccan, ultimately becoming a personage of importance at the court of Mahmud II.

kannada and persian as court languages in karnataka
Kannada, Persian and Arabic were court languages in Bahmani kingdom. Many of scholars in Bahmani court were well versed in both. During Mughal rule kannada elements were taken into persian by the local scholars when they went to Mughal Imperial court. Tipu sultan also made persian and kannada as court languges.  The direct interaction between Kannada (and Telugu, Marathi) and Persian along with Arabic has given a unique blend of Urdu called Deccani and it has large number of Kannada, Telugu and Marathi words.
 
Persia accounts
Persian historian Tabari gives vivid accounts of Chalukyas under pulikesin.

In 1017 A.D., at the behest of Sultan Mahmud of Persia, Alberuni (a.k.a. Al-Biruni) traveled to India to learn about the Hindus, "and to discuss with them questions of religion, science, and literature, and the very basis of their civilization". He remained in India for thirteen years, studying, and exploring. Al beruni gives a vivid accounts of Rastrakutas and karnataka.

Persian historians give account of the glory of seunas of Devagiri. Persian accounts such Burhan-i-Ma'asi , Janjira Nawab , Riyazul Insha have greatly helped in the stitching together the history in south India and karnataka in particular.

Writings of Nuniz confirms that the kings of Burma paid tributes to Vijayanagara.

Famous historian Muhammad Qasim Firishta (1560 – 1620) lived in court of Adilshah and wrote Khulasatu-t Tawarikh. Firishta not only gives vivid account of extend of Gazni raids but also the ruthlessness with which local people, temples and property destroyed by muslim rulers. It gives the vivid accounts of Bahmani rulers.

Timurid Abdur Razzaq persian Ambassador to VijayNagar Empire court during the Great Krishna Deva Raya gives vivid account of the Empire and the Emperor.

Afanasy Nikitin Russian traveler of 15th century who visited Bahmani and VijayNagar kingdoms says, There were many people coming from Khorassan (north east of Iran) Bahmani kings kept close link with the region and scholars were invited to settle in Bidar by Muhammad Gawan.

Other Accounts
Cosmas Indicopleustes of the 6th century talks about Churches Persian bishop at Kalliana (Kalyan) then under Kadambas.
Ahbar as-Sin wa'l-Hind the Arab accounts of 9th century speak of flourishing trade between Karnataka and persia (and Middle east). Al beruni pays glowing tributes to Rastrakuta regime saying that the only country where muslims were allowed to practice the religion unhindered. He also talks about the trade ties between persia and then Rastrakuta empire.

Inscriptions in Arabic and Persian
The Bahmani kings first started giving inscriptions in persian and Arabic along with local languages Kannada, Telugu and Marathi. Large number of Inscription have found of Bahmani rule, subsequent Mughal dynasty, also Hyder Ali and Tipu Sultan regimes.

Music and Persian influence.
Some scholars say , Hindustani music is a rich combination of Carnatic music and traditional persian music in Bahmani rulers courts. While carnatic music flourished south of Krishna(VijayNagar Empire), Hindustani flurished in north of Krishna(Bahmani sultanates). Bijapur ruler Ibrahim II composed Kitabe Navras to introduce Hindu music to the Muslims and the book begins with an invocation to Saraswati and Ganapati. Thus started the Sufi tradition. When Mughals took over Bahmani kingdom, music went to North to Delhi Courts as well. Meanwhile Carnatic music was not insular to persian influences, Persian modes came to be grafted and the new ragas like Darbara and kalyana were evolved by saints like Purandara.

Persian influence in Architecture
The Bahamanis introduced the large scale use of paper in administration and began the Indo-Sarasenic architectural style, designed and constructed by Persian architects and artisans, (also known as Deccani architecture) with its local influences from Karnataka.The Sultanate monuments of Bidar and Gulbarga are testimony to their interest in architecture. The Bande Nawaz tombs and a Jama Masjid in Gulbarga which exhibits a persian influence are well known. In Bidar, their buildings have Persian, Turkish, Arabic and Roman influences (the Solah Khamba mosque being an example).Rangin Mahal, Gangan Mahal, Tarkash Mahal, Chini Mahal, Nagina Mahal and the Taqk Mahal are some of the palaces built by them that have retained their beauty. The Ahmad Shah Wali tombs are noted for their decor, and the school of learning (madrasa) built by Gavan in Bidar (1472), with its lecture halls, library, mosque and residential houses are also famous. The contributions of the Bijapur Sultanate in the Indo-Saracenic idiom to the architectural landscape of Karnataka is noteworthy. Their most famous monuments are the mausoleums called Ibrahim Rauza and the Gol Gumbaz apart from many other palaces and mosques. The elegance, finish and beauty of Mehtar Mahal is claimed by a historian to be equal to anything in Cairo. Their Kali Masjid at Lakshmeshwar is a synthesis of Hindu and Muslim styles. The Ibrahim Rauza built by Ibrahim II is a combination of a mausoleum and a mosque and is called the "Taj Mahal of the Deccan".The Gol Gumbaz built by Muhammad is the largest dome in India and the second largest pre-modern dome in the world after the Byzantine Hagia Sophia with an impressive "whispering gallery". Some historians consider this one of the architectural marvels of the world.

Kashida (Kasuti) 
The word kashida is derived from the Persian word meaning embroidery. This shows that there were contacts between Persia and Karnataka since the reign of Chalukyas in the 6th century A.D. Traditionally designs are worked out on the web of black Irkal handloom saris-the warp and weft of the fabrics regulated stitches. It was worked by counting threads and without knots, hence is identical on both sides. This type of embellishment is usually done by four varieties of stitches namely Ganthi- line or backstitch, vertical, horizontal and diagonal. Murgi- zig zag, it runs up and down like steps of a ladder. Negi, weaving stitch and Menthe-forked branch or cluster stitch resembling fenugreek seeds.

Bidriware
According to one version, Abdullah-bin-Khaiser, an expert in bidriware, migrated to Bidar in the 11th century and joined hands with an equally proficient goldsmith familiar with the secrets of the trade. Together they gave impetus to the craft.
Another popular tale recounts that one of the Hindu kings of Bidar innovated the crafts of bidriware, using the articles thus decorated to hold flowers and other offerings in honor of his household Gods. Later, under the patronage of the Mughals, indigenous manufacturers were extended both co-operation and encouragement and in course of time, bidriwork reached its zenith in perfection, design and finesse.
The traditional art of damascening in silver or Koftgari work, as Bidri is popularly known, entails encrusting one metal into another in the form of a wire. It is akin to the ancient art of inlaying gold and silver in copper and steel, which was practiced in Persia and Arabia at one time. It is believed that the know-how was brought to India from these countries but took an altogether different form, which became the specialty of Bidar from where it derives its name

Process of Making Bidriware The origin of the technical aspect of bidriware is not definitely known. It appears that like other Persian articles of metal, this particular type of work was probably developed by experimenting with various alloys to guarantee brilliance by contrast. The resultant ingredient was an alloy of zinc and copper combined with other non-ferrous metals.

The new alloy, thus produced, is brittle but does not rust or corrode and has the additional advantage of allowing a better polish. Each bidri utensil has to pass through a long complicated process of casting, polishing, engraving, inlaying and blackening of the alloy before the final product is ready for the market.

Persian wheel in Karnataka
The Persian wheel is a mechanical water lifting device operated usually by draught animals like bullocks, buffaloes or camels. It is used to lift water from water sources typically open wells. In Sanskrit the word Araghatta has been used in the ancient texts to describe the Persian Wheel. The ‘ara-ghatta’ comes from the combination of the words ‘ara’ meaning spoke and ‘ghatta’ meaning pot. There is evidence to argue that this system of lifting water from open wells was probably invented in the India of the past. With its use also in Iran, the then Persia, and perhaps its discovery there, it came to be called the Persian wheel. The celebrated writer philosopher Ananda K Coomaraswamy in his monograph ‘The Persian Wheel’ argues that it is not justified to draw its origins to Persia as it finds mention in the Panchatantra (3rd Century BCE) and the Rajatarangini (12 th century CE) as the ‘cakka-vattakka’ or the ‘ghati yantra’.

Persian wheel represents a water culture and water heritage of India. It therefore seems imperative to document and preserve the knowledge base around this instrument which was both a function and an indicator of the ecological availability of water at shallow levels. The great water heritage still practiced in Karnataka should be preserved.

The Rastrakuta empire records while decribing Agriculture ,explains about Persian wheel technology. The Vijaynagar empire promoted both persian wheel and Ghanat system (originated in persia) for irrigation.

As you can see the relations is very vast and we need  a chair either at Gulbarga, Bijapur or Bidar Universities  with a counterpart in Iran to study each aspect in this long interaction between karnataka and Persia on the one hand and Kannada and Persian on the other.

Sources
The Persian Wheel in India by Srikantaiah VISHWANATH
Political History of the Chalukyas of Badami By D. P. Dikshit
Chronicles of Early Janjuas By Hussain Khan
Goa Through the Ages: An economic history By Teotonio R. De Souza
Bahamani Kings of Gulbarga and Bidar by Dr. (Mrs) Jyotsna Kamat
Indo-Persian Travels in the Age of Discoveries, 1400–1800 by Muzaffar Alam, Sanjay Subrahmanyam

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