RAMAYANA TATTOOS

The most powerful and challenging traditional rituals I've experienced in India are the exorcisms and trances that frequently occur in its Sufi shrines. This is by far the most emotionally draining project I've undertaken so far...photographing it, editing it and producing it.

The Possessed of Hazrat Mira Datar is an audio slideshow of stills, movie clips and audio made during my during my recently completed In Search of the Sufis of Gujarat Photo Expedition™ when I visited this Sufi saint's shrine near Unawa in Gujarat.

I've always been interested in, and drawn to, India's multi-layered religious-cultural identities. Sufism "walked" into the sub-continent from Iran and Afghanistan, and wherever the Sufi acetic teachers lived and died, shrines were built to commemorate their teachings, deeds and legacy. They eventually became saints, or pirs as they're called in the subcontinent. It is at one of these shrines that The Possessed of Hazrat Mira Datar was made.

For those who don't mind reading, a journal/blog accompanies the audio slideshow and has more photographs (in color this time). It was a difficult decision as to whether color or black & white would be more appropriate for this project, and in the end I decided to use both, but separately. I think I was right.

M9/Elmarit 28mm-Photo © Tewfic El-Sawy-All Rights Reserved

The "Piano Guy" of New York City was giving a performance in Washington Square a few days ago, and I photographed him entertaining a lady fan. She was standing there enjoying the music for perhaps more than 10 minutes, while he was banging away at the keys. No, she's not his mother. Click the picture to enlarge it.

The piano player is quite a fixture in some of New York City's parks and squares. He's been seen in Union Square, Father Demo Square, and now Washington Square. He's been featured in The New York Times in an August 30, 2008 article titled "The Real Piano Man".

His name is Colin Huggins, and he's a classically trained pianist. New Yorkers know him as "the piano guy". He uses four well-used pianos, which he keeps in storage units around the city. Each unit is close to a favored busking spot, and the pianos are moved on dollies. You can read the rest in the linked article.

Only in New York City!

Photo © Jeffry Plomley-All Rights Reserved

I caught Jeffry Plomley's work on The Leica Camera Blog, and was immediately drawn to his Havana gallery, which features excellent street scenes that are very nicely toned. A Canadian photographer, he has the ability of traveling to Cuba as freely as he wishes; something that we here in The United States cannot do as freely.

Jeffry tells us in the Leica Camera Blog that he considers Havana to be one of the world’s meccas for street photography. This is not an exaggerated statement, but one that I wholeheartedly endorse since I visited the island and its capital (legally) in 2000. In the first part of Jeffry's post, he also describes his choice of gear, packing two M9s and two M7s, with 21mm Elmarit Aspherical, 28mm Summicron Aspherical, 35mm Summicron Aspherical, 50mm Summicron, and the 75mm Summicron Aspherical. Phew!

There's also a wonderful gallery of Cuban boxing action, which I recall was a huge attraction to the photographers who were attending the workshop I enrolled in.

I suggest you choose the slideshow option, but watch it in full screen. Don't miss the one (#13) of an elderly Cuban patting a dog...grest shot!