RAMAYANA TATTOOS

Photo © Gul Chotrani-All Rights Reserved

Gul Chotrani was just featured in an interview on The Leica Camera Blog, following his return from his July 2011 journey to Ethiopia's Omo Valley.

I met him when he joined my In Search of the Sufis of Gujarat Photo Expedition™ in 2011, and it was during it that he photographed using his M9, S2 and a Nikon D3.

Gul worked as an analyst/economist and later in investment banking in the UK, then spent several years in academia, teaching economics and finance in Singapore and South East Asia. He subsequently served as a consultant/advisor in trade, finance and development issues, and also participated in technical cooperation programs with several less developed countries in Asia, on behalf of the Singapore government, the Asian Development Bank and the World Bank.

"When I’m on a serious photography trip, my total gear consists of three bodies (Leica M9, S2 and Nikon D3X) with perhaps two lenses for each, all meant to complement each other."

He echoes many Leica owners when admitting that using its cameras in the beginning was frustrating, and that he almost gave up on it. However, realizing the superlative optics of the Leica M lenses, and presumably the resultant image quality, is what kept him hooked to the Leica brand.

Interesting thoughts (a second installment of the interview is due to appear soon on the Leica blog) by an enthusiastic and unabashed Leica aficionado, which may influence some photographers to jump in the Leica universe.

For further photographs by Gul, drop by his website.

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Labels: Interviews, Leica, Photographers: Travel

Canon Professional Network has featured five Canon Ambassadors – photographers Michael ‘Nick’ Nichols, Gary Knight, Ziv Koren, Frits van Eldik and Paolo Pellegrin, and asked them what they’ve learnt from their years of experience and what advice they would offer to young photographers starting out on their photographic careers.

I thought I'd feature Gary Knight's interview here...this is purely a personal choice based on what he advocates "keep it simple...and don't think too much"; advice which I always follow and advocate, and since I met Gary in Bali some years ago...I know his advice is not a fluff piece, and that he speaks his mind. So his interview is highly recommended to young photographers.

"...keep it simple...don't think too much..."

Gary Knight began his photographic career in Thailand in 1987 and he lived and worked in the Far East until 1992. In 1993 he moved to the former Yugoslavia and documented the civil war there. In recent years he has covered the invasion of Iraq, the occupation of Afghanistan, the civil war in Kashmir and the Asian Tsunami. One of the founders of the VII Photo agency in 2001 his work has been published by magazines all over the world and he has been a contract photographer for Newsweek since 1998. He is one of the founders of the Angkor Photo Festival, a registered charity in Cambodia; a board member of the Crimes of War Foundation and a trustee of the Indochina Media Memorial Foundation.

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Labels: Interviews, Photographers: Photojournalists, Photojournalism

Photo © Raghu Rai- All Rights Reserved

"Most people don't see, they just glance. When we take a picture, we have to be aware of every inch of space we're dealing with" -Raghu Rai

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Labels: India, Interviews, Photographers

Screen Capture Courtesy Silber Studios

Ed Kashi is of course a well known photojournalist with a list of awards and achievements as long a man's arm, and then some. I thought his interview with Marc Silber would be of interest to my readers if they haven't caught it before I did.

In this video-interview,  Ed shares some ideas (tips if you prefer) on advancing one's photography. He makes many interesting points such as describing himself as a long form visual storyteller, and uses the phrase "candid intimacy" to describe his work.

The blurb accompanying the video interview mentions that when a photograph achieves that look, then its viewers can see into the soul of the subject...perhaps a little hyperbolic, but one that some of us travel photographers (and certainly the majority of photojournalists) relate to.

I'm not talking about "pretty pictures" here, but as far as I'm concerned, it's about what I like to call "travel photography meets photojournalism". ...a phrase I use to describe my photo~expeditions. I wasn't surprised at all to hear Ed say that more and more of his work is being shot from his hip or his shoulder, to avoid provoking people who are not comfortable with having a lens poked in their direction. I also smiled when I heard Marc Silber mention Morocco as being a difficult place to photograph people, as they disliked being photographed...it brought back my few photographic ventures to that part of the world.

Ed (and others like him) shooting more and more from his hip or his shoulder is something that camera manufacturers ought to keep in mind. Perhaps that's one of the benefits of owning and using an EVIL (Electronic Viewfinder Interchangeable Lens) camera which can be used like an inoffensive point & shoot. The Panasonic GF1 (now GF2) and Olympus E-PL1 are such cameras. I have the former with a 20mm f1.7, and have a lot of respect for what it can do.

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Labels: Interviews, Photographers: Photojournalists

Katharina Hesse is a photographer who currently works in China and Asia, and has been based in Beijing for the past 17 years. She graduated in Chinese and Japanese studies from the Institut National des Langues et Civilizations Orientales (INALCO) in Paris.

She has recently uploaded some of her gripping photographs of Bangkok's sex industry unto a 6 minutes-movie which she titled Human Negotiations (above), and during which she also talks about her project in a Skype-interview with Elisabetta Tripodi, and which appeared on the blog e-photoreview.

Human Negotiations is an experimental two-year collaboration between Katharina and writer Lara Day, using images and text to explore the lives of a community of Bangkok sex workers. I cannot begin to fathom how Katharina managed to gain the trust and confidence of her subjects to such a degree...and she says as such in her interview, and that the most important task in her project was to gain the trust of the sex workers and their clients. All serious photographers agree with her advice, since only full and complete mutual trust gained over months and months can make such intimate projects possible.

Katharina's has an impressive background. Not only is she a self-taught photographer (always a huge plus for me), but she initially worked as an assistant for German TV (ZDF) and then freelanced for Newsweek from 1996 to 2002. In 2003 and 2004 she covered China for Getty’s news service. Her images were featured in numerous publications such as Courrier International, Der Spiegel, D della Repubblica, EYEmazing, Zeit Magazin, Glamour (Germany), IO Donna, Die Zeit, Marie-Claire, Le Monde, Le Monde Diplomatique, Neon, Newsweek, 100Eyes.org , Reporters without borders(yearbook 2010, Germany), Stern, Time Asia, Vanity Fair (Italy/Germany), and Wired (Italy) among others.

Katharina's photographs of Xinjiang, Kashgar and Urumqi are probably the best I've seen of that region....so go to her website after you watch the above movie.

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Labels: China, Interviews, Photographers: Photojournalists, Thailand