Showing posts with label Photo Techniques. Show all posts
Showing posts with label Photo Techniques. Show all posts

Maika Elan: Thaipusam Festival

Photo © Maika Elan-All Rights Reserved

Photo © Maika Elan-All Rights Reserved

I really can't describe Maika Elan's recent photography style with certitude, and don't know if it really fits neatly in a category...but what I do know is that it's ingeniously creative.

First off, Maika's birth name is Nguyen Thanh Hai, and is a freelance photographer from Hanoi. Her photography was recognized with a number of awards, and she's currently working hard on completing her long term project...The Pink Choice, in which she documents gay life in Vietnam and elsewhere.

Maika attended the Thaipusam festival held at the Batu Caves, near Kuala Lumpur in Malaysia, and decided that, rather than documenting this festival in a traditional editorial style, she would try to fuse the festival's ancient rituals and tradition with modern images of Western culture. She did so by photographing popular culture magazines, and then double exposed these with her images made during the Thaipusam festival.

The result is an intriguing collection of images which, if you peer at them closely enough, will reveal faint images of Western models superimposed on Maika's photographs of Thaipusam scenes.

You may prefer to view her gallery on Invisible Photographer Asia.

When I heard she was on her way to photograph the festival, I was certain she'd come up with an unorthodox way of documenting it her way...a la Maika. Yes, that's what I ought to call her style...the Maika style.

POV: Street Photography In Old Delhi

The Quizzical Guy. Photo © Tewfic El-Sawy-All Rights Reserved

The Coco Seller. Photo © Tewfic El-Sawy-All Rights Reserved

The Don't Photograph Guy. Photo © Tewfic El-Sawy-All Rights Reserved
Old Delhi is one of my favorite locations for street photography, and is a must stop for me when I'm in India for my photo expeditions/workshops.

I produced a short documentary audio slideshow on the Spice Porters of Khari Baoli of Old Delhi, but on my way through Chandni Chowk, I started photographing with my M9. While some of my photographs were made by shooting from the hip, most were not. Chandni Chowk, as any other market and public place in India, is a dream environment for street photography since it teems with living tableaus.

Notwithstanding, most photographers are bound to be noticed and stared at. Now, this is a problem because the essence of street photography, as told to me many years ago by Costa Manos, is that no one must see the photographer. In other words, if any subject in one's street picture is seen looking at the camera, the photographer has "failed" in capturing the moment. Perhaps extreme, and very difficult to achieve in India where people are alert, curious and have no problem at dropping what they're doing to stare at whatever and whoever interest them.

It takes a little more speed, sometimes stealth, and certainly patience to work around this. We all have our techniques, but I find that a lot patience and "fading in the background" works best. Eventually, the most curious loses interest and I have free rein in photographing as much as I care and need to.

Here are some examples of the street photography "obstacles" I faced during my latest trip in Chandni Chowk.

The top photograph is of someone I describe as "The Quizzical Guy". He saw me photographing, and just froze alongside some mannequins, and kept staring at me for a while...trying to figure out what I was doing. So I photographed him.

The middle photograph is of someone who's the exact opposite of The Quizzical Guy. He probably saw me photographing The Coco Seller, but didn't care and just walked through. If he didn't notice me, he's probably a rarity amongst the crowds of Chandni Chowk.

The bottom photograph is of the "Don't Photograph" fellow. The man had absolutely nothing to do with Khari Baoli, but thought he had authority of telling me not to photograph. I get this type of people quite often...and I tell them quite firmly they ought to move on and find something better to do. He must have been a retired police officer who missed his authority. He wagged his finger at me, and quickly left.

Yatin Patel: Sutra



I'm pleased to have been directed to Yatin Patel's website whose title Sutra in ancient Sanskrit translates as "a thread or line that holds elements together".

Yatin Patel is an Orlando-based photographer, internet entrepreneur and native of India, and his "Sutra" project consists of images of Ahmedabad, the largest city in Gujarat. The project uses high dynamic range (HDR) imaging, which gives photographs a distinct artistic feel.

As explained in Yatin's Wikipedia entry, he chose Ahmedabad as subject because it's a partitioned city, with ancient gated communities, small enclaves of different cultures, and lots of hidden courtyards.

Some of the "Sutra" series of prints have been printed on Japanese kozo (rice) paper, and the process is explained in a number of posts on Yatin's blog. The combination of monochrome HDR imaging and rice paper is an interesting one; the photographic style is certainly one of street photography, processed with HDR techniques and then printed on a textured medium.

The choice of Ahmedabad is an excellent one. Founded in 1411 by Sultan Ahmed Shah, its architecture is a fusion of Hindu craftsmanship with Islamic architecture. I would think that Yatin will eventually do the same in Varanasi and Old Delhi, to name but two similarly compelling cities.

My thanks to Ron Mayhew, an accomplished photographer himself, who suggested Sutra to me.

The Dancer & Name Branding

Photo © Tewfic El-Sawy-All Rights Reserved

As I've posted a few days ago, I've been fiddling with the trial version of Flare, an app that describes itself as "a fast, easy, and beautiful darkroom for your desktop".

With Flare, one can apply interesting photographic effects to photographs, and it comes with more than 20 presets. It's a matter of drag and drop...mere seconds to get the preset look one likes. The above photograph (click to enlarge) of a traditional dancer I made in Bali last year got a Flare preset treatment, which includes a grungy border.

In all candor, I am beginning to like Flare a lot. I also happen to be a fan of Lightroom's presets...and a fan of anything that reduces the time I spend in post processing images to a minimum. And if this 'anything' is simple enough for a 2 year old to master, it's a hit as far I'm concerned.

In any event, it's fun to be able to use applications such as Flare and others, accepting that these degrade the quality of the images.

But wait, didn't I title this post to include Name Branding? This is important...If you ask any marketer how to set yourself apart from the rest, they’ll all tell you to the same thing, establish and secure your brand.
"I now have a lock on The Travel Photographer as a brand name on most popular blogs...this includes my domain brand name, my Twitter account and my Facebook page."
Keep reading and you'll see what I mean. For a couple of more examples of my photographs fiddled about with the Flare app, drop by The Travel Photographer on Tumblr. Yes, I have various blog platforms such as Posterous, Wordpress and Tumblr with The Travel Photographer brand name....and here's some useful advice: if you have a brand name (your name can be a brand name), you ought to do the same. I now have a lock on The Travel Photographer as a brand name on most popular blogs...this includes my domain brand name, my Twitter account and my Facebook page...and I'm keeping an eye out for any new ones.

As a footnote: I have no relationship whatsoever with Flare. It's just a fun application.

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